THE Jazz Workshops for musicians over 25 which are run annually at the Victorian Jazz Archive by Marina Pollard got off the mark this year on Saturday 6 July and will run until Saturday 21 September.
Although we have missed the first two sessions, there are 10 more in the course, so if you are interested but didn’t get around to registering earlier, I am sure that a phone call (9781 4972) or an email to Marina will find you a place.
Sessions run from 1pm to 4pm on Saturday afternoons, plus there are group practice sessions and an end-of-year breakup presentation.
The charge is $220 which includes one year’s membership of the Jazz Archive with access to all its facilities. Two principal tutors are engaged at professional rates, and several other musicians donate their time and enthusiasm for specific sessions.
Prerequisites are to have some proficiency on your chosen instrument, able to play scales and arpeggios, and a desire to learn more about how jazz is played!
I am always amazed at the variety of people who have an interest in jazz, and these workshops bring together this sort of mix – people from many different backgrounds but with a shared wish to understand more about the music through listening and through playing.
SOME weeks ago I was ruminating about how Burnie High School in Tasmania came to be included on the itineraries of two international jazz performers in recent months.
Burnie is a small seaport on the northwest coast of Tasmania, with a population of less than 20,000, and although charming, is not necessarily a destination which would immediately spring to mind when planning a musican’s tour of Australia.
Well all is now revealed – the “angel” (theatrical that is) behind it is jazz enthusiast Viktor Zappner.
A clinical psychologist and jazz pianist, Viktor came to Tasmania with his wife and daughters in 1979 from Czechoslovakia.
Dismayed at the lack of jazz on Tasmania’s north-west coast, he set about rectifying that situation. He helped found the Jazz Action Society North West Tasmania, and has been president for most of its 28 years. Now in his 70s he remains Director of the annual Devonport Jazz festival. He has also played jazz piano at hundreds of local and overseas gigs.
But one of Viktor’s enduring ambitions has been to encourage a love and appreciation of jazz in young people. A chance meeting with the Burnie High School Association President, Ant Dry, led to a proposal to use the Burnie High School’s new Performing Arts Centre to showcase Tasmanian, national and international jazz musicians in a Jazz Goes To School series.
Two programs in the series have already been held, and a third is scheduled for 23 March. The first two involved young UK band, Dixie Ticklers, and the world famous stride/ragtime pianist and vocalist, Judy Carmichael with guitarist Sam Dunn. The third will feature Australian-born, New York based reeds player, Adrian Cunningham backed by Nick Haywood, bass, Alf Jackson on drums, and Viktor Zappner on piano.
As part of the deal, the musicians give workshops for local high school students which have been hugely successful.
Here are Judy Carmichael and Sam Dunn with their workshop participants on 23 February.
Viktor Zappner’s philosopy behind the Jazz Goes To School series is: “Young people are hooked on pop and rock and I wanted to expose them to jazz, to build not only an audience but for those who play instruments to try this genre.”
Easy to think and say, but few people have managed to put thought into action so effectively as has Viktor Zappner in bringing world class jazz to the young people of Burnie. No wonder he won the Tasmanian Local Hero section of Australian of the Year in 2012!
IN January 2013 I foreshadowed the imminent publication of the first “Australian Jazz Real Book”, a collection of lead sheets or charts of Australian jazz compositions which was in the final stages of preparation by its maker, guitarist Tim Nikolsky.
Well here’s Tim with THE BOOK.
The 450+ tunes which are included are categorised into 17 styles, with the number in each category shown in brackets:
Swing (154), Straight (119), Ballad (48), Latin (43), Traditional (19), Funk (19) Rubato (10) Blues (10) Fusion (9) Bossa Nova (7) Shuffle (5) Rock (4) Afro-Cuban (3), Bebop (3), Country (2), Free (1) and Choro (1).
The lead sheets contain the melody in regular musical notation, chords and, where they exist, lyrics. There are also some more involved transcriptions where appropriate, and a few full score reductions where each instrumental part is important, and harmony parts and voicings are included.
The Book is available in hardcopy form with cover, pages and all that jazz for those who prefer the permanence and tangibility of a traditional book. It is also available in digitised form accessible online via laptop, iPad etc. You can find out details of prices from Tim’s very fine website, http://australianjazzrealbook.com
Tim says that the aim of the website is to provide online access to “the definitive collection of Australian jazz tunes from Australian composers”, not only for working musicians to select Australian tunes to add to their repertoires but also to make it easier for jazz educators to incorporate Australian jazz compositions into their curricula. It will also be a resource to which students can turn for uniquely Australian tunes that are ‘gig-ready’.
For more background, see Tim and jazz pianist Bob Sedergreen interviewed by Waleed Aly on Radio National program, “The Drawing Room”. Tim talks about the genesis of The Book, and reasons for his choice of tunes. To demonstrate the effectiveness of The Book, Waleed on guitar joins the two professional musicians to play a Sedergreen composition, “Intersection”.
Even if you’re not in the market for a Real Book, the Australian Jazz Real Book Wesbsite is a mine of information, and is very well worth being bookmarked by the serious jazz follower. It lists the tunes in the Book by composer, title and category – in itself a useful resource. For many of the composers there is quite an extensive profile, with images, references to other websites and to YouTube performances of the song or the composer. There are even links to more information about the history and availability of other real books.
For example, here is the profile on the late Brian Brown, OAM who died on 28 January 2013. One of the references in his profile is to a wonderful film on modern jazz in Melbourne in the 1950s at Jazz Centre 44 in St Kilda. Click on the image below to see it.
This project has been a massive undertaking for Tim Nikolsky which has produced a very valuable addition to the fund of knowledge about Australian jazz compositions and their composrs. Well done, Tim!
IT hardly seems possible that a year has gone by since I was announcing the next Jazz Workshops for Under 25 year olds – but Marina Pollard, the Workshop Co-ordinator, assures me that it is true.
The 2013 series begins on Saturday 16 March and ends on Saturday 16 June, with 30 March off for the Easter holidays. Classes are held at the Victorian Jazz Archive, 15 Mountain Highway, Wantirna. (Melway Reference 63 C8) and run from 1pm to 4pm. Total cost for the course is just $75, which includes a Student Membership of the Victorian Jazz Archive.
The workshops are open to musicians under the age of 25. To participate they must already have some proficiency on their instruments, and most importantly, be keen to learn how to play jazz. Workshop tutors are all experienced jazz musicians wishing to share their passion for the music which is an important part of their lives. All music and charts are provided. Just bring your instruments. If you’re a budding drummer, ask about the Workshop’s drum kit which may be available for your use.
Here are some of the Class of 2012 with drum master, Brian Abrahams. Most of them are members of the Workshop Band, Running Wild, which has given a number of public performances.
2012 Workshop Participants
For further information or to book a place in this year’s Workshop, phone Marina Pollard, Workshop Coordinator, on 9791 4972 or email email@example.com.
Victorian Jazz Wokshop members playing at the launch of the “Future Knox Up In Lights” exhibition in Cinema Lane, Dorset Square, Boronia on 20 August 2012
THIS is one of the first public performances for participants in this year’s workshops for aspiring young jazz musicians run by Marina Pollard out of the Victorian Jazz Archive rooms at Wantirna. And appropriately it was connected with another youth activity: a community arts project run by the City of Knox for local school students to express their visions for the future of local parks and neighbourhood streets in their city using a variety of media. On August 20th the six winning entries went on display in the light boxes in Cinema Lane, Dorset Square, Boronia. The exhibition titled “Future Knox up in Lights” will run until November.
Since this gig, the Under 25’s Workshop Ensemble participated for an hour in Tommy Carter’s radio program “Jazz as you like it” on Radio 97.7 FM, and they are currently rehearsing for a performance at the Stringybark Festival in Rowville on Saturday 20 October. Marina is also negotiating for them to play at the Berwick Market in November. All great opportunities for these young musicians to get experience in public performance, and to build their musical ambitions.
Lizzie Watkins, guitar; Marcus Finne-Larsen, electric bass; Ashley Thomas, clarinet; Brian Abrahams, drums (tutor)
Ashley Thomas, clarinet & alto saxophone; Jennifer McCluskey, alto saxophone
Brian Abrahams, drums; Aaron Robertson, keyboard
Lizzie Watkins, guitar; Marcus Finne-Larsen, electric bass
Lizzie Watkins, guitar; Ashley Thomas, clarinet: Jennifer McCluskey, alto sax; Yang Chen, alto sax; Aaron Robertson, keyboard; Andre Lew, tenor sax; Liam Robertson, violin
Jazz Workshops have a long history in Melbourne. Before Marina took up the reins in about 2002, the Victorian Jazz Club – at the instigation of a group of musicians including Kevin Bolton, Dave Patton and Dawn Lock (now Houghton) in conjunction with Marj Burke – began presenting workshops for young people with jazz aspirations in 1984. Over the years the workshops provided a great opportunity for keen young musicians to expand their musical knowledge and to learn more about the history of jazz and how to play it. Many well known “older” musicians – including Ian Smith, Chris Ludowyk, Ian Hellings, Graham Coyle, Ross Anderson, John Adams, Graeme Pender, Pat Miller, Vince Hopkins, Ben Johnson, Fred Stephenson, Clint Smith etc. etc. etc -have given of their time and wisdom over the years. Some of the finest musicians who are now household names amongst the jazz fraternity came through these workshops: their list is also long but included Jo Stevenson, Ash Gaudion, Stephen Grant, Mark Elton, Lindsay Flint, Emelia Wilmot, Seb Girardot.
In about 2002 the Victorian Jazz Club was unable to find a volunteer to continue to run its Workshops. Marina Pollard stepped into the breech and set up a private business to offer a new workshop series which continues to this day with the cooperation of the Victorian Jazz Archive and the support of various jazz clubs, including the VJC. Marina’s devotion to the task of introducing young people to the joys of jazz has been and continues to be outstanding.
Anyone interested in participating in the Under 25s workshops or those for older musicians should contact Marina on 9781 4972 or by email at vhmarinap@bigpond .com
THE Jazz Improvisation Workshops for young aspiring jazz musicians began on 24 March so students are well into the swing of things by now. Here are a few of the class of 2012 with one of their tutors, drummer extraordinaire Brian Abrahams. Saxophones are obviously popular this year.
Come Saturday 7 July, it will be the turn of the more mature aspirants. The Over 25’s Workshops will be held from 1.00pm to 4.00pm weekly between 7 July and 22 September at the Victorian Jazz Archive headquarters, 15 Mountain Highway, Wantirna. Total cost of the course is $220 which includes a $40.00 membership of that wonderful resource, the Victorian Jazz Archive.
These workshops are open to students of all ages. Applicants are required to be proficient on their instruments, able to play scales and arpeggios, and most importantly, be interested in learning how to improvise. All music is provided; just bring yourself and your instrument.
For further information and booking contact:
Marina Pollard, Workshop Coordinator
9781 4972 or 0409 064 753
or by email to firstname.lastname@example.org,
This is an opportunity to make the music you love, not just listen to it.
FOR SOME REASON Victoria has always been more active than other parts of Australia in trying to keep the flame of traditional jazz burning through workshops for young – and not so young – musicians to learn the skills of improvisation, playing by ear, and ensemble work in traditional jazz styles.
The Victorian Jazz Workshops, managed by Marina Pollard since 2002, are an example of such initiatives.
The Workshops, (a not for profit, registered business), offer two programs: an Under 25s Improvisation Workshop, and a Senior Workshop for everyone else!
The Under 25s Workshop for 2012 is about to begin.
A 12 weeks’ program runs from Saturday 24 March to Saturday 16 June (excluding 7 April) from 1pm to 4pm. The venue is the Victorian Jazz Archive, 15 Mountain Highway, Wantirna. Total cost: $75.00 which includes Student Membership of the Jazz Archive.
The Workshop is open to young musicians under 25 yars of age who are proficient with their instruments, able to play scales and arpeggios, and most importantly, are interested in learning to play jazz. The course is made possible through the generosity of practising jazz musicians who want to pass on to young musicians some of the skills they have acquired through many years working as professional jazz musicians.
Contact Marina Pollard, Workshop Coordinator, on 9781 4972 or by email email@example.com for further information and to make a booking.
The Workshops are supported and subsidised by the Australian Jazz Convention Trustees, the Geelong Jazz Club, the Peninsula Jazz Club, the Victorian Jazz Club, the Gold Coast Jazz and Blues Club, and private donors. The Victorian Jazz Archive provides premises and other facilities including insurance.
Here’s a pic of some of the young musicians who went through the Under 25s program in 2009.